Ludilo

Everything is a game in the life of a toddler, who, through successive trials and accidental discoveries, immerses himself in the pleasure of experimentation. It is this absolutely precious and free dimension of the child's relationship with play that we want to explore. So, in a circular space, two actress-handlers invent worlds based on toys in a choreography of bodies and sounds. The aim here is to combine the gestures of the performer who manipulates with those of the child who plays. Because in object theatre, all it takes is one look, one gesture, and the combined desire of the actor and the audience to believe in it, and life is already being projected.

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